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It Might Get Loud

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Title: It Might Get Loud  
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Subject: Jimmy Page, Another Way to Die, Films shot in the United States, Patrick Creadon, The Road We've Traveled
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It Might Get Loud

It Might Get Loud
Film poster
Directed by Davis Guggenheim
Produced by Thomas Tull
Davis Guggenheim
Lesley Chilcott
Peter Afterman
Jimmy Page
Starring Jimmy Page
The Edge
Jack White
Music by Jimmy Page
The Edge
Jack White
Cinematography Erich Roland
Guillermo Navarro
Edited by Greg Finton
Steel Curtain Pictures
Distributed by Sony Pictures Classics
Release dates
  • September 5, 2008 (2008-09-05) (TIFF)
  • August 14, 2009 (2009-08-14) (United States)
Country United States
Language English
Box office $1,807,506

It Might Get Loud is a 2008 American documentary film by filmmaker Davis Guggenheim. It explores the careers and styles of prominent rock musicians Jimmy Page, The Edge, and Jack White.[1] The film received a wide release on August 14, 2009 in the U.S. by Sony Pictures Classics.


The film documents the varied playing and recording styles of guitarists Jimmy Page, The Edge, and Jack White.

Page's history with guitar traces back to his childhood when he played in a skiffle band. After desiring to do more than play pop music, Page "retires" from guitar playing to attend art school. He later revives his music career as a session guitarist, only to be discouraged by the realization that he is playing others' music and stifling his own creativity. At that point, Page begins to write and perform in the bands The Yardbirds and Led Zeppelin. Page discusses the skiffle and blues music that influenced him at the time. For many of Page's scenes, he is seen visiting Headley Grange, where several songs from Led Zeppelin IV were recorded, and in one scene, explains how the distinctive drum sound from "When the Levee Breaks" was achieved from the acoustics of the house it was recorded in.

The Edge's history with guitar traces back to building a guitar with his brother Dik and learning to play. In the film, he visits Mount Temple Comprehensive School and recalls forming U2 in his childhood. He also demonstrates his playing technique, in how he eliminates certain strings from chords, as well as his use of echo and delay effects to "fill in notes that aren't there". He also discusses his purchase of his signature guitar, the Gibson Explorer, in New York City and the punk music that influenced him. In other scenes, he plays early demo tapes of "Where the Streets Have No Name", discusses his inspiration for "Sunday Bloody Sunday", and spends time experimenting with guitar effects for the riffs to "Get on Your Boots".

Jack White traces his musical background to his childhood in a rundown neighborhood of Detroit. Living with two drum sets and a guitar occupying his room and sleeping on a piece of foam due to taking out his bed for more room for his music, White struggled to find a musical identity, as it was "uncool" to play an instrument and his nine siblings all shared a musical propensity. His strong interest in blues and roots music opposed the hip hop and house music popular in the predominantly Latino south Detroit neighbourhood at the time. White eventually finds a niche in a garage rock band called The Upholsterers while working as an upholsterer, which paves the way for his future bands The White Stripes and The Raconteurs. White's philosophy is to limit and challenge himself in various ways to force creative approaches to recording and playing.

The touchstone of the film is a meeting of the three guitarists dubbed "The Summit". In these scenes, the three guitarists not only converse about their influences and techniques, but they also play each other's songs together, showing each other how to play "I Will Follow", "Dead Leaves and the Dirty Ground", and "In My Time of Dying". The film concludes with the men playing an impromptu cover version of The Band's "The Weight" on acoustic guitars.


The film premiered at the 2008 Toronto International Film Festival, and played at both Sundance Film Festival and the 59th Berlin International Film Festival in 2009. The film received generally favorable reviews, achieving an average critic review score of 70% on Metacritic,[2] and currently holds a certified fresh percentage of 80% on Rotten Tomatoes,[3] with a consensus of: "An affectionate tribute to rock's most distinctive instrument, It Might Get Loud is insightful and musically satisfying". According to Phil Alexander, who gave the film a four star review in Mojo magazine, "It Might Get Loud is undoubtedly both a triumphant and truly absorbing 90-minute spectacle that provides the viewer with unique insight and entertainment in equal measure.[4] Barney Hoskyns of Uncut gave it four stars and called it an "absorbing film".[5]

Box office

It Might Get Loud opened at #37 (shown in 7 theaters with $13,240 average) and took in a gross income of $92,679 in the opening weekend. The final domestic gross income was $1,610,163 while the foreign gross income was far lower at $197,343 for a worldwide gross income of $1,807,506.[6]


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  4. ^ Phil Alexander, “One Louder!”, Mojo magazine, February 2010, p. 77.
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  6. ^ MOVIES: IT MIGHT GET LOUD 2009. Box Office Mojo. Retrieved January 30, 2010.

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