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Robert Riskin

Robert Riskin
Born (1897-03-30)March 30, 1897
New York City, New York
Died September 20, 1955(1955-09-20) (aged 58)
Los Angeles, California
Spouse(s) Fay Wray
(m. 1942-55; his death)

Robert Riskin (March 30, 1897 – September 20, 1955)[1] was an American screenwriter and playwright, best known for his collaborations with director-producer Frank Capra.[1]

Contents

  • Early life 1
  • Career 2
    • Relationship with Frank Capra 2.1
  • Personal life and family 3
  • Selected filmography 4
  • Awards 5
    • Academy Awards 5.1
    • Lifetime Achievement Awards 5.2
  • References 6
  • External links 7

Early life

Robert Riskin was born on New York City's Lower East side to Jewish parents, Bessie and Jakob, who had emigrated from Czarist Russia to escape conscription. He and his two brothers and two sisters grew up speaking Yiddish. An enthusiast of the vaudeville stage, the teen-age Riskin took every opportunity to sneak into the theatre and catch the shows. He was a particular fan of the comedians who performed there and he habitually transcribed their jokes into a notebook he carried with him. While still a teen-ager, Riskin took a job with a shirt-manufacturing firm, Heidenheim and Levy. The partners of this firm had a sideline business, investing in the new film industry. They sent the seventeen-year-old Riskin to Florida to run a production company for them. Riskin turned out one- and two-reel films until his enlistment in the Army during World War I.[2]

Career

At the end of the war Riskin returned to New York City where in partnership with a friend, he found some success in producing plays for Broadway. Riskin began his career as a playwright, writing for many local New York City playhouses.[1] Two of his plays, Bless You, Sister and Many a Slip, had successful runs.[1] Riskin continued his Broadway career until the 1929 stock market crash and the Great Depression caused many theatres to close.

Motion pictures had just adopted sound, and writers were needed who could write dialogue and were experienced with stage work. Riskin recognized he had the credentials and seized the opportunity by relocating to Hollywood.[2] He moved to Hollywood in 1931 after Columbia Pictures bought the screen rights to several of his plays. His first collaboration with director Frank Capra was the Barbara Stanwyck vehicle The Miracle Woman (1931).

Riskin wrote several films for Columbia, but it was his string of hits with Capra that brought him acclaim. Riskin received Academy Award nominations for his screenplays and stories for five Capra films:Lady for a Day (1933), which Riskin had adapted from a Damon Runyon short story; It Happened One Night (1934), for which he won the Oscar; Mr. Deeds Goes to Town (1936) with Gary Cooper and Jean Arthur; You Can't Take It with You (1938) with Lionel Barrymore and James Stewart; and Here Comes the Groom (1951) with Bing Crosby and Jane Wyman.[1]

Riskin joined Capra in an independent production company in 1939, but they fell out in 1941.

Riskin then became an associate producer for

  • Robert Riskin at the Internet Movie Database
  • Six Screen Plays by Robert Riskin, Edited and Introduced by Pat McGilligan, Berkeley: University of California Press, c1997 1997 - Free Online - UC Press E-Books Collection
  • Robert Riskin at Find a Grave

External links

  1. ^ a b c d e f g h i "Robert Riskin, Who Won 'Oscar' For 'It Happened Ohe Night,' Dies." New York Times. September 22, 1955.
  2. ^ a b Gladstone, Bill, “Remembering Robert Riskin” November 15, 2011 Retrieved December 19, 2013
  3. ^ "Robert Riskin Joins Metro as Producer-Writer -- Paramount and Roxy Top Holiday Marks." New York Times. January 2, 1942.
  4. ^ Scott, Ian. In Capra’s Shadow: The Life and Career of Screenwriter Robert Riskin University of Kentucky Press, 2006, p. 148
  5. ^ Churchill, Douglas W. "Capra and Riskin to Film 'Life and Death of John Doe' for First Independent Venture." New York Times. November 7, 1939.
  6. ^ Capra,, Frank. "One man, one film -- The Capra contention". 
  7. ^ Scott, Ian, In Capra’s Shadow: The Life and Career of Screenwriter Robert Riskin University of Kentucky Press, 2006, p.138
  8. ^ Scott, Ian, In Capra’s Shadow: The Life and Career of Screenwriter Robert Riskin University of Kentucky Press, 2006, Prologue: "The Three Act Play"
  9. ^ "Fay Wray Married to Robert Riskin." New York Times August 25, 1942.
  10. ^ Everett Riskin at IMDB; retrieved December 25, 2013

References

Lifetime Achievement Awards

Nominated:

Won:

Academy Awards

Awards

Selected filmography

A biography by Ian Scott, In Capra's Shadow: The Life and Career of Screenwriter Robert Riskin, was published in 2006 by the University Press of Kentucky.

Riskin’s older brother, Everett (born 1895), was a Hollywood film producer (1934–52). He produced many noteworthy Columbia films, including The Thin Man Goes Home, written by Robert.[10]

They remained married until his death.[1] eulogy at Riskin's funeral. Interment was at Inglewood Park Cemetery, Inglewood, California.

Riskin married actress Fay Wray in 1942.[9] They had three children: Susan (born 1936), Robert (born 1943), and Victoria (born 1946). (Susan was the child of Wray's first marriage and was adopted by Riskin in 1942.)

Personal life and family

In 1961, Capra directed A Pocketful of Miracles, a remake of Capra and Riskin's 1933 collaboration Lady for a Day, with a screenplay by Hal Kanter and Harry Tugend from the Riskin-Runyon material. It was Capra's last film.

During the time of his declining health, home confinement, and final residence at the Motion Picture & Television Country Home and Hospital, Riskin was regularly visited by old friends such as Edward G. Robinson, Jack Benny, and Irving Berlin. Long time friend and screenwriting colleague Jo Swerling and his wife remained devoted visitors. Conspicuously absent was Frank Capra, who never visited Riskin during the five years of his illness. Swerling was pained by Capra’s behavior, but Riskin refused to disparage Capra. He remained loyal to the man, calling him “his best friend”. The Los Angeles Examiner covered Riskin’s funeral in September 1955, describing the “notables” in attendance. The report also identified the “one man who wasn’t there”: Frank Capra did not attend Robert Riskin’s funeral.[8]

After completion of just one film, Meet John Doe, the association was dissolved.[7] Riskin never willingly collaborated with Capra again.

However, Riskin felt that Capra was taking all the credit for their films, including Riskin's share. Riskin came to resent Capra for this. This led to several confrontations with Capra during the production of Meet John Doe. According to an account by Hollywood screenwriter David Rintels (which was denied by Capra), Riskin brandished 120 blank pages in Capra's face and challenged: "Put the famous Capra touch on that!"[6]

In 1939, looking for creative autonomy unavailable in the studio system, Riskin and Capra formed an independent production company, Frank Capra Productions. The partnership was divided 65/35; 65% for Capra, 35% for Riskin. In 1941, Capra directed Riskin's Meet John Doe.[5]

During this period, Riskin and Capra had what appeared to be a harmonious working relationship. Their personal relationship, however, was strained. Riskin was politically liberal, while Capra was a committed, conservative Republican. The protagonists of the Capra-Riskin films were described as “Capra’s Heroes”, when in fact they were more a product of Riskin’s ideology and social conscience.[4]

From 1931 to 1938, Riskin and Capra collaborated on eight films as screenwriter and director. Riskin contributed to at least six other screenplays directed by Capra. These films were nominated for 29 Academy Awards, including eight nominations for Riskin and Capra, and won ten, including three for Capra and one for Riskin.

Relationship with Frank Capra

Riskin directed only one entire film, When You're in Love (1937), a minor musical starring Grace Moore and Cary Grant. Unsuccessful at the box office, When You're in Love is now remembered (if at all) for an unusual publicity stunt: silent film-star Louise Brooks was given a chance at a comeback by appearing as a chorus girl in this movie.

He was an invalid until he died on September 20, 1955.

In 1950, Riskin suffered a debilitating stroke which left him unable to write.[1] Riskin had completed the screenplay for Half Angel (1951) and the story for Here Comes the Groom (1951) before the stroke. Ironically, Capra was assigned to direct Here Comes the Groom, and Riskin received a fifth Academy Award nomination for it.

Riskin and his brother Everett formed their own film company. Their first film, the minor James Stewart hit Magic Town (1946), was written and produced by Riskin, who also directed initially. The directing was finished by William A. Wellman. Magic Town has a similar flavor and tone to Riskin's Capra-directed films.

Riskin returned to Hollywood in 1945, with the screenplay for The Thin Man Goes Home[1] He had an uncredited collaboration on the 1946 film noir classic The Strange Love of Martha Ivers.

[1]

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