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Battle of the Bulge (film)

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Title: Battle of the Bulge (film)  
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Subject: Cinerama, Panzerlied, Karl-Otto Alberty, Robert Shaw (British actor), Telly Savalas
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Battle of the Bulge (film)

Battle of the Bulge
Original movie poster
Directed by Ken Annakin
Produced by Sidney Harmon
Milton Sperling
Philip Yordan
Dino De Laurentiis (uncredited)
Written by Bernard Gordon
John Melson
Milton Sperling
Philip Yordan
Starring Henry Fonda
Robert Shaw
Robert Ryan
Narrated by William Conrad
Music by Benjamin Frankel
Cinematography Jack Hildyard
Edited by Derek Parsons
Distributed by Warner Brothers
Release dates
  • December 16, 1965 (1965-12-16)
Running time
167 minutes
Language English
Budget $6.5 million[1]
Box office $4.5 million (est. US/ Canada rentals)[2]

Battle of the Bulge is an American widescreen epic war film produced in Spain that was released in 1965. It was directed by Ken Annakin. It starred Henry Fonda, Robert Shaw, Telly Savalas, Robert Ryan, Dana Andrews and Charles Bronson. The feature was filmed in Ultra Panavision 70 and exhibited in 70 mm Cinerama. Battle of the Bulge had its world premiere on December 16, 1965, the 21st anniversary of the titular battle, at the Pacific Cinerama Dome Theatre in Hollywood, California.

The filmmakers attempted to condense a battle that stretched across parts of Germany, Belgium and

Unlike most World War II epics, "Battle of the Bulge" contains virtually no portrayals of actual senior Allied leaders, civilian or military. This is presumably because of controversies surrounding the battle, both during the war and after. Though Allied forces ultimately won the battle, the initial Nazi counteroffensive caught them by surprise and caused many casualties.


  • Plot 1
  • Cast 2
  • Historical inaccuracies 3
  • Production 4
  • Reaction 5
  • Later releases 6
  • See also 7
  • References 8
  • External links 9


Military Intelligence officer and former policeman Lt. Col. Daniel Kiley (Fonda) and his pilot, Joe, are flying a reconnaissance mission over the Ardennes forest, spotting a German staff car. Under the ground in a subterranean lair, German Col. Martin Hessler (Shaw), a fictional character loosely based on SS-Standartenführer Jochen Peiper, is briefed by his superior, Gen. Kohler (Werner Peters). Kohler points out a clock with a 50-hour countdown, which is the time allotted for the operation, beyond which Germany has no resources for full-scale attack. At the same time German soldiers disguised as American troops, led by Lt. Schumacher (Ty Hardin), are tasked with seizing vital bridges and sowing confusion behind the Allied lines.

Meanwhile, Kiley returns to headquarters where he warns that the Germans are planning one more all-out offensive. His superiors, Gen. Grey (Robert Ryan) and Col. Pritchard (Dana Andrews), dismiss it out of hand: all available intelligence points to Germany not having the resources and manpower to launch another attack.

Hoping to uncover more proof, Kiley visits a US infantry position on the George Montgomery) capture some young and obviously inxperienced German soldiers. Kiley concludes that experienced German troops have been replaced by these men and withdrawn for an offensive, but Pritchard dismisses this as well.

Hessler launches his attack the next day. Awakened by the noise of German tanks, Wolenski leads his men into the wooded area of the Schnee Eifel, where they try to fight them off but are overrun. A group of Allied tanks led by Sgt. Guffy (Telly Savalas) also attempts to slow the Panzers, but their tanks' weak guns and thin armor make them ineffective, forcing him and his crew to retreat.

Lt. Schumacher and his disguised troops capture the only bridge over the Our River capable of carrying heavy tanks. Hessler continues his spearhead toward Ambleve, while being observed by Kiley. Schumacher later takes control of a vital intersection of three roads connecting Ambleve, Malmedy and the Siegfried Line. He sabotages the road signs, and the rear echelon of Wolenski's troops take the wrong road to Malmedy; almost the entire unit is captured and massacred. Lt. Weaver manages to escape, but Duquesne is killed. US soldiers become suspicious when they witness Schumacher's "military police" lay explosives incorrectly on the Our bridge, and his masquerade is revealed.

Hessler's tanks and infantry storm Ambleve, finally taking the town. Although many Americans, including Wolenski, are captured, Grey, Pritchard, Kiley and others escape to the

External links

  1. ^ Hollywood: War Is Hell but Profitable By PETEE BARTHOLLYWOOD.. New York Times (1923-Current file) [New York, N.Y] 25 Oct 1964: X7.
  2. ^ "Big Rental Pictures of 1966", Variety, January 4, 1967 p 8
  3. ^ pp. 193-194 Gordon, Bernard Hollywood Exile: Or How I Learned to Love the Blacklist University of Texas Press, 1999
  4. ^ p.194 Dmytryk, Edward Odd Man Out: A Memoir of the Hollywood Ten SIU Press, 1996
  5. ^ p.68 Simonis, Damien Spain 7 Lonely Planet, 01/03/2009
  6. ^ pp.110 Niemi, Robert History of the Media: Film and Television ABC-CLIO 2006
  7. ^ "Most popular star for third time." Times [London, England] 31 Dec. 1966: 5. The Times Digital Archive. Web. 16 Sept. 2013.


See also

The original VHS release of the film for home video use was heavily edited to fit in one VHS tape (to reduce costs to the consumer) and used a full screen "pan and scan" technique often employed in network telecasts of widescreen motion pictures. The 1992 Laserdisc and 2005 DVD releases, however, run at their full length and are presented letterboxed in the original 2.76:1 aspect ratio. A Blu-ray release followed in 2007, though the aspect ratio says it is 2.35:1 on the back of the cover, the actual aspect ratio of the film is the original 2.76:1 like the previous DVD release. A more recent Blu-ray release states the correct aspect ratio.

Later releases

The film was one of the most popular movies at the British box office in 1966.[7]

Former President Eisenhower came out of retirement and held a press conference to denounce the film for what he considered its gross historical inaccuracy.[6]


For an economical price and with no restrictions, the Spanish army provided an estimated 500 fully equipped soldiers and 75 tanks and vehicles, some of World War II vintage.[5]

Screenwriter Bernard Gordon claims to have rewritten John Melson's original screenplay.[3] Some of the original choices for director were Richard Fleischer, who turned it down and Edward Dmytryk, with whom Jack L. Warner of Warner Bros. refused to work.[4] Technical advisor on the film was Maj. Gen. (then Col.) Meinrad von Lauchert, who commanded the German tank division that made the most headway in the actual battle.


The film recaptures the major aspects of the battle, depicting how the inexperienced replacement American units stationed in the Ardennes were initially overwhelmed, and how confused the situation became. It points out the superiority of heavy German tanks, along with their major weakness — a lack of fuel. Some early scenes, showing discussions among German officers, accurately depict the Third Reich's desperation to cut U.S.-British supply lines and neutralize the Allies' huge logistical advantage.

In fact, Montgomery's northern command was actually the 21st Army Group. The Eighth Army, Montgomery's previous command, was actually in Italy at the time of the Battle of the Bulge. Although Patton was in charge of Third Army during the battle, this army was part of a much larger American force in the south. Third Army was one of four American armies that constituted the 12th Army Group under Gen. Omar Bradley.

to the north, stood Montgomery's Eighth Army. To the south, Patton's Third Army.

The film's opening narration, by William Conrad, does mention both Montgomery and Patton, but is inaccurate, saying:

Absent from this movie is the response by Third Army relieved the siege of Bastogne. Also, there are no African-Americans in the movie even though the 761st Tank Battalion (The Black Panthers) played a role in Patton's Third Army. Indeed, there is no reference to British forces in the area, although British troops were largely kept behind the Meuse River and thus almost entirely out of the fighting. Also not mentioned is Gen. Eisenhower's decision to split the Bulge front in two, ceding temporary command of two American armies to Field Marshal Montgomery in the northern half of the Bulge; the film implies a totally American operation. There was also no mention of the role of Allied air power hitting the Germans hard at the first sign of clear weather.

The sequence with Lt. Schumacher and his men was based on Operation Greif, the plan to parachute English-speaking Germans using American equipment behind American lines to sow confusion and capture the bridges.

Aside from the initial American encounters with the German offensive, there is some absence of cold weather and snow, which were the conditions in which the real battle was fought. There is no trace of snow at all in the film's major tank battle scene, nor were some battle scenes fought in flat and bare territory, considering the mountainous, forested and grassy nature of the Ardennes. The film was shot on location in the Sierra de Guadarrama mountain range and Madrid, Spain.

The final tank battle is a rough depiction of the Battle of Celles on December 26, 1944, where the U.S. 2nd Armored Div. smashed the German 2nd Panzer Division. The film creates the false impression that large numbers of American tanks sacrificed themselves against the heavy Tiger IIs and in the process lured the enemy off course, which caused them to run out of gas. In reality, they were already stranded. The tanks used (despite the claims of the producer in an interview which is one of the DVD extras) are not historically accurate; although the M24 Chaffee light tanks used in the scene were World War II-era vehicles, they were not in use in the scale shown in the film and were relatively rare. However, the American M47 Pattons representing German King Tiger tanks conveyed the superior size and firepower which the M4 Shermans, represented by the aforementioned M24 Chaffees, had to contend with.

Historical inaccuracies

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