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Caltiki – The Immortal Monster

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Title: Caltiki – The Immortal Monster  
Author: World Heritage Encyclopedia
Language: English
Subject: I Vampiri, Riccardo Freda, Mario Bava, Black Sunday (1960 film), Films directed by Mario Bava
Publisher: World Heritage Encyclopedia

Caltiki – The Immortal Monster

Caltiki – The Immortal Monster
Directed by Riccardo Freda (as Robert Hamton)
Mario Bava (uncredited)
Produced by Sam Schneider
Bruno Vailati
Written by Filippo Sanjust (as Philip Just)
Starring John Merivale
Didi Sullivan
Gérard Herter
Daniela Rocca
Giacomo Rossi-Stuart
Music by Roberto Nicolosi (as Robert Nicholas)
Roman Vlad
Cinematography Mario Bava (as John Foam)
Edited by Salvatore Billitteri
Climax Pictures
Galatea Film
Lux Film
Distributed by Allied Artists
Release dates 8 August 1959
Running time 76 min.
Country Italy
United States
Language Italian

Caltiki – The Immortal Monster (Italian: Caltiki – il mostro immortale) is a 1959 Italian science fiction horror film directed by Riccardo Freda. The plot concerns a team of archaeologists investigating Mayan ruins who come across a blob-like monster. They manage to destroy it with fire while keeping a sample of the monster. Meanwhile, a comet is due to pass close to Earth, the same comet which passed near the Earth at the time the Mayan civilization mysteriously collapsed. The film proposes the question "Is there a connection between the monster and the comet?"


  • Plot 1
  • Production 2
  • Critical reception 3
  • Cast 4
  • References 5
  • External links 6


The film begins as a delirious archaeologist stumbles into his group's camp without his partner, both of whom having been exploring a cave. He becomes mad, requiring hospitalization. Their interest piqued, the group sets out for the cave.

Upon reaching the cave, they find a deep pool of water, behind which is a large statue of Caltiki, the vengeful Mayan goddess who had been ceremonially presented with human sacrifices. Hoping to find artifacts, the group sends one of their numbers down into the pool. At the bottom, he finds a menagerie of skeletons clad in gold jewelry. Running out of oxygen, he comes back up, clutching as much gold as he can. Although the group wishes him to not go down again, he insists on doing so, suggesting that they could become millionaires from the wealth below. Relenting to him, they let him descend once more. As he collects more and more treasure, his cable to the surface suddenly writhes erratically. Fearing for his safety, the group pulls him back to the surface, only to find, upon removing his face mask, his body reduced to a decayed mass distended about his skeleton.

Moments later, the monster that attacked him rears up from the pool, attempting to digest anyone near. One of the group is caught, but is then rescued. As the team escapes, the monster begins to crawl out of the cave menacingly. Luckily, there is a tanker truck full of gasoline nearby that the main character drives into the vile blob. It explodes violently, vanquishing it.

The team travels back to unicellular bacterium that quickly grows when in the presence of radiation. Unfortunately, a comet that emits radiation and crosses Earth's path only once in every 850 years or so is quickly approaching. Upon the comet's closest approach, the piece of the blob that the main character (Dr. John Fielding) left in his house with his wife and infant expands to enormous size and reproduces.

Dr. John Fielding attempts to convince the Mexican government to send its army to destroy the beast, but is then thrown in jail. Fortunately, he escapes. A colleague convinces the authorities that the monster and its threat are real and sends regiments of flame-throwing tanks to Fielding's house. Upon their arrival, they find that the blobs have overrun the house and Dr. Fielding's wife and child are desperately standing on a second-floor window ledge. The mother and child are rescued by Dr. Fielding as the flame-throwing tanks lay waste to the blob monsters.


Nominal director Riccardo Freda claims that he abandoned the film so that future director Mario Bava, who he knew would be a good director, had the chance to direct.[1] Bava's first screen credit as director was the 1960 classic Black Sunday.

Critical reception

Allmovie gave the film a generally positive review, calling it "a neat and compelling science fiction-horror amalgam, squeezing cosmology together with archeology and myth to create a genuinely fascinating and original thriller."[2]



  1. ^ "Did You Know?".  
  2. ^ Bruce Eder. "Caltiki - Il Mostro Immortale (1959)".  

External links

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