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Michael Relph

Michael Relph
Born Michael Leighton George Relph
(1915-02-16)16 February 1915
Broadstone, Dorset, England
Died 30 September 2004(2004-09-30) (aged 89)
Selsey, West Sussex, England
Nationality English
Occupation Art director, film producer, film director, writer

Michael Leighton George Relph [1] (16 February 1915 – 30 September 2004) was an English

External links

  1. ^
  2. ^ "Michael Relph". Retrieved 2014-02-23. 
  3. ^ "Michael Relph | BFI | BFI". Retrieved 2014-02-23. 
  4. ^ a b "Michael Relph". Telegraph. Retrieved 2014-02-23. 
  5. ^ "Michael Relph - Obituaries - News". The Independent. 2004-10-02. Retrieved 2014-02-23. 
  6. ^ "Michael Relph (1915 - 2004) - Find A Grave Memorial". Retrieved 2014-02-23. 
  7. ^ "BFI Screenonline: Relph, Michael (1915-2004) Biography". Retrieved 2014-02-23. 
  8. ^ Adam Dawtrey (2004-10-05). "Michael Relph". Variety. Retrieved 2014-02-23. 
  9. ^ "Emma Relph | BFI | BFI". Retrieved 2014-02-23. 


His son, Simon Relph, is also a film producer and former chairman of BAFTA.[4] His daughter, Emma Relph, had several parts on television and in the films as an actress during the 1980s.[9]

Later in his career, Relph worked as a producer. He served as associate producer on the Ealing comedy Kind Hearts and Coronets (1949) ; and had a significant 20-year partnership with Basil Dearden beginning in 1949 and ending with Dearden's death in 1971.[7] From 1972 to 1979, he was chairman of the British Film Institute's Production Board.[8]

Michael Relph also designed for the theatre, particularly the West End in the 1940s, from "The Doctor's Dilemma" and "A Month in the Country," to "Nap Hand" and "The Man Who Came to Dinner."[6]

He began his film career in 1933 as an assistant art director under Alfred Junge at Gaumont British then headed by Michael Balcon. In 1942 Relph began work at Ealing as chief art director, where his designs included the influential supernatural anthology Dead of Night (1945). He worked mainly on Basil Dearden's films, and in 1949 was nominated for an Academy Award for art direction for his work on the Stewart Granger vehicle Saraband for Dead Lovers (1948).[5]


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