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Super Mario Bros. (film)

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Title: Super Mario Bros. (film)  
Author: World Heritage Encyclopedia
Language: English
Subject: Bowser (character), Goomba, Princess Daisy, Roland Joffé, Mario
Collection: 1990S Adventure Films, 1990S Comedy Films, 1990S Fantasy Films, 1993 Films, 1993 Soundtracks, American Comedy Films, American Films, American Independent Films, Buddy Films, Capitol Records Soundtracks, Cinergi Pictures Films, Cyberpunk Films, Dinosaur Films, Dystopian Films, Fantasy Adventure Films, Film Scores by Alan Silvestri, Film Soundtracks, Films Based on Video Games, Films Set in Brooklyn, Films Shot in North Carolina, Hollywood Pictures Films, Independent Films, Parallel Universes (Fiction), Parallel Universes in Fiction, Pathé Films, Science Fantasy Films, Screenplays by Ed Solomon, Works Based on Mario, Works Based on Nintendo Video Games
Publisher: World Heritage Encyclopedia

Super Mario Bros. (film)

Super Mario Bros.
Theatrical release poster
Directed by
Produced by
Written by
Based on Super Mario Bros. 
by Shigeru Miyamoto
Takashi Tezuka
Narrated by Dan Castellaneta
Music by Alan Silvestri
Cinematography Dean Semler
Edited by Mark Goldblatt
Distributed by Buena Vista Pictures Distribution, Inc. (US)
Pathé (Europe)
Release dates
  • May 28, 1993 (1993-05-28)
Running time
104 minutes
Country United States
Language English
Budget $48 million[1]
Box office $20.9 million[1]

Super Mario Bros. is a 1993 American science fiction fantasy adventure action comedy film[2] directed by Rocky Morton and Annabel Jankel. A loose live-action adaptation of the Super Mario Bros. video game franchise, the film stars Bob Hoskins as Mario, John Leguizamo as Luigi, Dennis Hopper as King Koopa, and Samantha Mathis as Princess Daisy. It tells the story of the eponymous Mario brothers, as they find a parallel universe, ruled by the ruthless dictator King Koopa, who seeks to merge the two dimensions together so that he can rule both worlds, leaving it up to Mario and Luigi to join forces with Princess Daisy, the daughter of the world's usurped King, to stop Koopa.

Super Mario Bros. was released on May 28, 1993, in the United States. It grossed $20.9 million on a $48 million budget. The film was nominated for two Saturn Awards (one for Best Costume, the other for Best Make-up).


  • Plot 1
  • Cast 2
  • Production 3
    • Development 3.1
    • Casting 3.2
  • Reception 4
    • Critical reaction 4.1
    • Legacy 4.2
  • Soundtrack 5
    • Track listing 5.1
  • References 6
  • External links 7


Mario and Luigi are two Italian American plumbers living in Brooklyn, New York, who are currently being driven out of business by the mafia-like Scapelli Construction Company led by Anthony Scapelli. Later, Luigi falls in love with an orphaned NYU student named Daisy, who is digging under the Brooklyn Bridge for dinosaur bones. After a date, Daisy takes Luigi back to the bridge only to witness one of Scapelli's men sabotaging it by leaving the water pipes open. Unable to fix the flooding, Luigi and Daisy rush back to his apartment where they inform Mario about the incident. The trio returns to the flooding where the Mario Bros. manage to fix it but are knocked unconscious by Iggy and Spike, who proceed to capture Daisy.

Moments later, Mario and Luigi awaken and head deeper into the caves following Daisy's screams and discover an interdimensional portal allowing the Mario Bros. to follow Daisy. They find themselves in a strange dystopian parallel world where a humanoid race evolved from dinosaurs rather than the mammalian ancestry of true humans in a Manhattan-like city called Dinohattan. Sixty-five million years ago, a meteorite crashed into the Earth, causing the universe to split into two parallel dimensions. All the surviving dinosaurs of the time crossed over into this new realm. It turns out that Iggy and Spike are henchmen (and cousins) of the other world's germophobic and obsessive dictator, King Koopa, who descended from the most revered dinosaur, the Tyrannosaurus Rex. The Mario Bros. realize they didn't bring Daisy's rock, a meteorite fragment which Koopa is trying to get in order to merge his world with the real world. It is then revealed that Daisy is the long-lost Princess of the other dimension. When Koopa overthrew Daisy's father (and de-evolved him into fungus), her mother took her to Brooklyn using the inter-dimensional portal. The portal was then destroyed, killing Daisy's mother in the process, but Scapelli's men accidentally reopened the portal when they blasted the cave. Upon hearing this, Koopa sends Spike and Iggy to find both Daisy and the rock to merge the dimensions and make him dictator of both worlds. However, after Koopa subjects them to one of his experiments to make them more intelligent, Spike and Iggy realize Koopa's evil intentions and side with the Mario Bros. Koopa believes only Daisy can merge the worlds, but the Mario Bros. are also from a different place and time. Eventually, the Mario Bros. rescue Daisy with the help of Toad, a good-natured guitarist who was punished by Koopa for performing music that protests his reign (for which he is de-evolved into a Goomba).

Eventually, the two worlds merge and Koopa turns Scapelli into a chimpanzee before going after Mario, but Luigi and Daisy bring back the rock and the worlds separate again. In Dinohattan, Mario confronts Koopa and eventually defeats him when he and Luigi fire their devolution guns at Koopa and blast him with a Bob-omb, throwing him into a chain suspended vat. Koopa, now turned into a ferocious, semi-humanoid Tyrannosaurus, jumps out of the vat, which is not far away from the Mario Bros., to deliver his final blow, but the Mario Bros. manage to destroy him once and for all by turning him further into an actual T-Rex, which is too intense for him to live through and instead turns him into primordial slime. Following Koopa's defeat, Daisy's father turns back to normal and reclaims control over the kingdom. The citizens celebrate and immediately destroy anything under Koopa's influence. Luigi admits his love for Daisy and wants her to come to Brooklyn with him, but Daisy can't come until the damage caused by Koopa is repaired and thus, she wants to spend more time with her father. Heartbroken, Luigi kisses Daisy goodbye as he and Mario return home to Brooklyn, with Daisy watching them leave. Three weeks later, the Mario Bros. are getting ready for dinner when their story comes on the news and the anchorman says they should be called the "Super Mario Bros." The movie ends when the Mario Bros. answer a knock at the door; it is Daisy, carrying a flamethrower, who asks for their help and says, "You're never gonna believe this!"

In a post-credits scene, two Japanese business executives talk about making a video game based on Iggy and Spike, who decide on the title: "The Super Koopa Cousins"; satirical to the Super Mario Bros. video game franchise.




The suggestion for a film based on the Super Mario Brothers was first put forward by Roland Joffé during a script meeting at his production company Lightmotive. Joffé met the Nintendo of America president and Hiroshi Yamauchi's son-in law Minoru Arakawa. He presented Arakawa with an initial draft of the script. One month after their meeting, Joffé went to Nintendo's corporate headquarters in Kyoto spending 10 days waiting to meet Hiroshi Yamauchi. After some time, Joffé received a phone call summoning him to Yamauchi's office. He pitched to Yamauchi the storyline which led to Nintendo receiving interest in the project. When Joffé was questioned about Nintendo having to sell the rights to a small studio company instead of a major company, he believed that Nintendo would have more control over the film.[3] Joffé left with a $2 million contract giving the temporary control of the character of Mario over to Joffé.[4]

Four drafts of the script were made. The first draft written by Jim Jennewein and Tom S. Parker focused on a comedic take on fairy tale themes on a story focusing on Mario and Luigi attempting to rescue a princess named Hildy from Koopa.[5]

Joffé visited Harold Ramis to offer him the job of being the director of the film. Ramis took up the meeting as he was a fan of the Super Mario Bros. game but declined the offer.[6] Rocky Morton and Annabel Jankel were hired to direct based on their work on the television series Max Headroom.[4]


After securing the rights to the film, Lightmotive went to work finding the casting for the characters. Danny DeVito was approached to play Mario and direct the film but wanted to read the script before signing.[7] Arnold Schwarzenegger and Michael Keaton were both approached to play the part of King Koopa. All three actors decided not to accept the offers. Lightmotive managed to secure Tom Hanks for the role of Mario with some film executives believing that Hanks was worth more than the studio could afford.[8] Hanks was later dismissed and Bob Hoskins was hired, who was believed to be a more profitable actor.[4]


Critical reaction

As of May 2013, review aggregator Rotten Tomatoes reports that 16% of critics gave positive reviews based on 32 reviews. The site's consensus states: "Despite flashy sets and special effects, Super Mario Bros. is too light on story and substance to be anything more than a novelty."[9] Gene Siskel of the Chicago Tribune and Roger Ebert of the Chicago Sun-Times gave the film two thumbs down on the television program Siskel & Ebert At the Movies,[10] and the film was on their list for one of the worst films of 1993.[11] Michael Wilmington of the Los Angeles Times disapproved of the film's script.[12] However, Hal Hinson of the Washington Post gave a positive review, praising the film for its spirit and later went on to say, "In short, it's a blast."[13] Janet Maslin of The New York Times gave another positive review, but said that the film "doesn't have the jaunty hop-and-zap spirit of the Nintendo video game from which it takes – ahem – its inspiration."[14]


In the Nintendo Power 20th anniversary retrospective issue, as they chronicled the games and other related releases over the magazine's life span, the film's release was listed. The issue stated that despite the film's poor quality, the fact that it was made shows how much the game series had impacted popular culture.[15]

Bob Hoskins spoke critically of Super Mario Bros., saying that it was "the worst thing I ever did" and that "the whole experience was a nightmare" in a 2007 interview with The Guardian.[16] In another interview with The Guardian, Hoskins was asked, "What is the worst job you've done," "What has been your biggest disappointment," and "If you could edit your past, what would you change?" His answer to all three was Super Mario Bros.[17]

John Leguizamo also admitted in 2007 that he, too, disliked his role as Luigi in the film, and expressed dissatisfaction with the film's direction. He said in his biography that perhaps the reason why the film turned out the way it did was that the studio wanted a more family friendly film while the directors wanted it to be more adult-like. He also said that both he and Bob Hoskins did not enjoy working on the film, frequently getting drunk to go through it, knowing that it would turn out bad.[18] Despite this, Leguizamo has since stated that he has developed a somewhat more positive outlook of the film.

Dennis Hopper was also disparaging of the production, "It was a nightmare, very honestly, that movie. It was a husband and wife directing team who were both control freaks and wouldn't talk before they made decisions. Anyway, I was supposed to go down there for five weeks, and I was there for 17. It was so over budget."[19]

Shigeru Miyamoto, Mario's creator, stated, "[In] the end, it was a very fun project that they put a lot of effort into," but also said, "The one thing that I still have some regrets about is that the movie may have tried to get a little too close to what the Mario Bros. video games were. And in that sense, it became a movie that was about a video game, rather than being an entertaining movie in and of itself."[20] Nintendo has not produced any more live-action theatrical films based from their video game franchises. Since then, a Metroid film was put into development but plans eventually fell through.[21]

Super Mario Bros has developed a cult following.[22]


Super Mario Brothers
Soundtrack album by Various
Released May 10, 1993
Genre Pop, Rock, Metal, Funk, Hip hop, Soul, Jazz rap
Label Capitol
Professional ratings
Review scores
Source Rating
AllMusic [23]
Entertainment Weekly D[24]

The soundtrack, released on Capitol Records, featured two songs from Roxette: "Almost Unreal" which was released as a single, and "2 Cinnamon Street" which is an alternate version of the song "Cinnamon Street" from Roxette's album "Tourism". The music video for "Almost Unreal" was inspired by the film, featuring scenes from the film and a de-evolution theme. "Almost Unreal" was originally written for the film Hocus Pocus but was never used and ended up attached to the Mario film instead. The change angered Roxette co-founder Per Gessle.[25] The film's score was composed by Alan Silvestri. It has not been officially released, though bootleg copies do exist.

Was (Not Was) song - "Walk The Dinosaur") released a single in 1993 that contained various other versions of the same song, including a Club Remix, a "Funky Goomba" Remix, a "Goomba Dub Mix" and an Instrumental version.

Track listing

  1. "Almost Unreal" - Roxette
  2. "Love Is the Drug" - Divinyls (cover of a song by Roxy Music)
  3. "Was (Not Was))
  4. "I Would Stop the World" - Charles and Eddie
  5. "I Want You" - Marky Mark and the Funky Bunch
  6. "Where Are You Going?" - Extreme
  7. "Speed of Light" - Joe Satriani
  8. "Breakpoint" - Megadeth
  9. "Tie Your Mother Down" - Queen
  10. "Cantaloop (Flip Fantasia)" - Us3
  11. "Don't Slip Away" - Tracie Spencer
  12. "2 Cinnamon Street" - Roxette

Note: "2 Cinnamon Street" (sung by Marie Fredriksson) is an alternative version of "Cinnamon Street" sung by Per Gessle on Roxette's 1992 album "Tourism".[26]


  1. ^ a b "Super Mario Bros.".  
  2. ^ "Super Mario Bros.". Allrovi. Rovi Corporation. Retrieved September 19, 2011. 
  3. ^ "Why the Super Mario Movie Sucked". Wired. 2012-04-23. 
  4. ^ a b c Reeves, Ben (2011-10-10). "Mario's Film Folly: The True Story Behind Hollywood's Biggest Gaming Blunder". Gameinformer. 
  5. ^ "Super Mario Bros: Scripts". Super Mario Bros. The Movie Archive. Retrieved August 10, 2012. 
  6. ^ Kohler, Chris (2009-06-17). "Harold Ramis Glad He Turned Down Mario Movie". Wired. 
  7. ^ "Mario: The Movie". The Times-News. January 11, 1991. p. 13. 
  8. ^ Vejvoda, Jim (October 23, 2012). "Schwarzenegger and Hanks Were Almost in Super Mario Bros.". IGN. Retrieved November 18, 2012. 
  9. ^ "Super Mario Bros.".  
  10. ^ """Siskel & Ebert Review "Super Mario Bros.. YouTube. 2008-08-18. Retrieved 2011-12-16. 
  11. ^ "Siskel & Ebert At the Movies 1993-Worst of 93 pt 1". YouTube. 2009-02-10. Retrieved 2011-12-16. 
  12. ^ Wilmington, Michael (May 29, 1993). "Movie Review: No Offense Nintendo: Super Mario Bros. Jump to Big Screen in Feeble Extravaganza".  
  13. ^ Hinson, Hal (May 29, 1993). "Super Mario Bros.".  
  14. ^ Maslin, Janet (May 29, 1993). "Movie Review - Super Mario Bros.".  
  15. ^ "20 Years of Nintendo Power"
  16. ^ Hattenstone, Simon (August 3, 2007). "The Method? Living it out? Cobblers!". The Guardian (London). Retrieved May 24, 2010. 
  17. ^ Greenstreet, Rosanna (June 18, 2011). "Q&A: Bob Hoskins". The Guardian (London). Retrieved June 24, 2011. 
  18. ^
  19. ^ "Random Roles: Dennis Hopper".  
  21. ^ "Whatever Happened to the Metroid Movie?".  
  22. ^
  23. ^ Greenberg, Adam. "Super Mario Brothers - Original Soundtrack".  
  24. ^ Browne, David (1993-06-18). "Super Mario Bros. and Made in America, Last Action Hero, Posse, What's Love Got To Do With It, Poetic Justice, Sliver"Review of the Soundtracks for .  
  25. ^ liner notes to Roxette album, Don't Bore Us, Get to the Chorus!
  26. ^ Information taken from:, section: Boogleg.

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