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Supernova (2000 film)

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Title: Supernova (2000 film)  
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Subject: Walter Hill (director), Robin Tunney, Wilson Cruz, Peter Facinelli, Angela Bassett
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Supernova (2000 film)

Theatrical release poster
Directed by Walter Hill
Produced by Ash R. Shaw
Daniel Chuba
Jamie Dixon
Screenplay by David C. Wilson
Story by William Malone
Daniel Chuba
Starring James Spader
Angela Bassett
Peter Facinelli
Lou Diamond Phillips
Robin Tunney
Robert Forster
Wilson Cruz
Music by David C. Williams
Cinematography Lloyd Ahern II
Edited by Michael Schweiter
Melissa Kent
Francis Ford Coppola
Freeman A. Davies
Screenland Pictures
Hammerhead Productions
Distributed by Metro-Goldwyn-Mayer
Release dates
  • January 14, 2000 (2000-01-14)
Running time
90 minutes
Country United States
Language English
Budget $60–90 million[1][2]
Box office $14,828,081[2]

Supernova is a 2000 science fiction horror film, from Metro-Goldwyn-Mayer. The film was written by David C. Wilson, William Malone and Daniel Chuba and directed by Walter Hill, credited as "Thomas Lee."[3] "Thomas Lee" was chosen as a directorial pseudonym for release, as the name Alan Smithee had become too well known as a badge of a film being disowned by its makers.

Originally developed in 1988 by director William Malone as "Dead Star" with paintings by H. R. Giger and a plot that had been called "Hellraiser in outer space." Jack Sholder was hired for substantial uncredited reshoots, and Francis Ford Coppola brought in for editing purposes. Various sources suggest that little of Hill's work remains in the theatrical cut of the film. The film shares several plot similarities with the film Event Horizon released in 1997 and Alien Cargo released in 1999.

The cast featured James Spader, Angela Bassett, Robert Forster, Lou Diamond Phillips, Peter Facinelli, Robin Tunney, and Wilson Cruz. This film was shot by cinematographer Lloyd Ahern and scored by composers David C. Williams and Burkhard Dallwitz.


  • Plot 1
  • Cast 2
  • Production 3
    • Development 3.1
    • Shooting 3.2
  • Original Cut and Deleted Scenes 4
  • Reception 5
    • Box office 5.1
  • See also 6
  • References 7
  • External links 8


Supernova chronicles the search and rescue patrol of a medical ship in deep space in the early 22nd century and its six-member crew which includes captain and pilot A.J. Marley (Robert Forster), co-pilot Nick Vanzant (James Spader), medical officer Kaela Evers (Angela Bassett), medical technician Yerzy Penalosa (Lou Diamond Phillips), search and rescue paramedic Danika Lund (Robin Tunney) and computer technician Benjamin Sotomejor (Wilson Cruz). Aboard their vessel, the Nightingale 229, they receive an emergency distress signal coming from an ice mining operation on the moon Titan 37, more than 3,000 light years away.

The crew answers the call and dimension jumps — during which Captain Marley suffers fatal injuries due to a malfunction of the ship's equipment — arriving in the path of Titan 37's debris cloud, some of which damages the ship and causes the loss of 82 percent of its maneuvering fuel. Worse still, Titan 37 orbits a blue giant, and its high gravity field will pull the ship to the point where it will be incinerated in 17 hours, 12 minutes — which happens to be almost the same amount of time that the Nightingale 229 will need to recharge its jump drive, their only possible hope for escape. With only an 11-minute window for escape, the surviving crew soon find themselves in danger from the disturbing young man (Peter Facinelli) they rescue, and the mysterious alien artifact he has smuggled aboard. This artifact is analyzed by the ship's computer and is said to contain ninth-dimensional matter.

It is ultimately discovered that the young man who called for rescue is actually Karl Larson, an old former lover of Kaela's (it is implied they had an abusive relationship). Karl came into contact with the ninth-dimensional matter after recovering the artifact and it somehow enabled him to acquire super strength, supernatural healing abilities, and made him younger (such that Kaela did not recognize him). Karl murders most of the crew except Kaela and strands Nick on the mining platform. Karl unsuccessfully attempts to romantically reconcile with Kaela. Nick finds his way back to the medical ship through a rescue pod left on the mining platform, and a battle ensues between Nick and Karl. Karl is ultimately killed by Kaela using explosives placed near the alien artifact which Karl was obsessed with retrieving. The explosion ejects the artifact into space, hurtling it towards the blue giant.

With moments left before the dimension jump activates, Kaela and Nick place themselves into the only remaining dimensional stabilization chamber (Karl had destroyed all but one) which is the only thing that enables human beings to survive the ship's dimensional jump drive. The pods are only meant to hold one person, however — two subjects might be genetically mixed during the dimensional jump. Before Nick and Kaela enter the only remaining pod, the computer warns them that the ninth-dimensional matter is reacting with the gravity of the blue giant sun and will cause a ninth-dimensional reaction that will spread in all directions, such that the reaction's resulting supernova will reach Earth within 51 years. The computer hypothesizes that the reaction will either destroy life on Earth or "enable humankind to achieve a new level of existence." Just before the blue giant supernovas, the ship engages in a dimensional jump which brings Nick and Kaela back to Earth. As a result of their being in the same pod, the two of them each have one eye of the other person's original eye color. The ship's computer also reveals that Kaela is pregnant, which may be the result of them being in the pod together during the jump, or the result of their copulation hours earlier.




The film was originally pitched by Thomas Malone in 1990 as Dead Star. Malone envisioned it as a modestly budgeted film which would cost around $5–6 million and be like "Dead Calm in space".[1]

The original script was about a space expedition that discovers artefacts from an alien civilisation and brings them back to Earth; one of the artefacts unleashes an evil force. Malone and producer Ash R Shah asked H.R. Giger to produce some conceptual sketches to help promote the script.[1]

MGM bought the project and a series of writers were put on the script included David Campbell Wilson, Daniel Chuba, Cathy Rabin and Thomas Wheeler. By 1997 the story had changed to be about a deep space medical ship called the Nova which answers a distress signal and finds an aging cargo vessel about to be sucked into a black hole. The sole survivor of the sinking ship comes on board the Nova.

Australian Geoffrey Wright was originally attached to direct but left the project two months before principal photography was to begin due to the "creative differences." Apparently, he had an idea about shooting the entire movie in zero gravity, but MGM disagreed. Vincent D'Onofrio was originally cast as computer tech but when Wright was fired, D'Onofrio also walked out.[4] Wright was replaced by Jack Sholder but then the studio replaced him with Walter Hill. Hill says he "was interested in doing a science fiction thing", he thought the script "had fixable problems" and he wanted to work with James Spader.[5]

Hill says problems began when he did a rewrite of the script, not knowing that the president of United Artists (Lindsay Doran)[6] was very attached to the script. He says the budget of the film was cut halfway through production.[5]


Shooting began in April 1998. After principal photography was finished in July 1998, Walter Hill spend total of 24 weeks editing his director's cut of the movie which still didn't have all the special effects scenes added into it. MGM decided to screen the movie to test audience. Hill told them that the screening would be complete disaster because movie was still not finished, and because he wanted to shoot some more footage. MGM refused the number of effects shots requested by Hill, and cut out half of them, including a complex sequence in which James Spader's character Nick Vanzant performs a nail-biting zero-gravity rescue inside a giant bubble of water, and a remotely operated medical robot was replaced by a humanoid android.[1] MGM screened the movie and just like Hill said, test screening audience hated it. Hill would later remark:

We limped in, in post we had a tremendous amount of effect stuff to do. They decided they wanted to preview the movie without the effects. I said this was insane, it's a science fiction movie. The effects had to be added. They wanted to see how it played. I told them it would be like shit, terrible, very bad preview, you will give up on the movie. These previews under these conditions are political. "Are you saying you won't preview the movie?" I said "You own the God damn thing. If you want to preview it, I can't prevent you, but I won't go." They saw this as defiance.[5]

Taking these into consideration and after more arguments with MGM, Hill quit the project. After test screenings went badly MGM hired another director, Jack Sholder, to re-edit Hill's footage and do some re-shoots to try and save the movie. Sholder deleted lot of the scenes from Hill's version including many scenes of character development, added the scene where James Spader's character is piloting the ship to safety after they jump into the Supernova high gravity field (Originally auto-pilot saved the ship from crash but Sholder wanted to give Spader's character something more to do), added some scenes with more focus on humor, changed the original voice of ship's computer Sweetie and add a new one which had "more emotion", removed entire dialogue from another computer called George who was on Titan moon and who gave Nick some informations about the mining colony and such, removed the original rock/electronic-like score by Burkhard Dallwitz and added new one by David C. Williams. After Sholder's cut was test screened and got little better reaction from test audience, new people got involved in United Artists studio (who with MGM was producing the movie) and they weren't happy with the reaction that Supernova got from the test screening of Sholder's cut. The studio went back to Hill, who proposed $5 million of reshoots and wanted more time for filming. When he was refused, Hill quit the project for good and MGM then shelved the movie.[7]

In August of 1999 MGM board member Francis Ford Coppola was brought in by MGM to supervise another re-editing of the movie costing $1 million at his American Zoetrope facility in Northern California. But even the Coppola's re-edited version had negative test screening and didn't get PG-13 rating by MPAA that studio wanted. Creature designer Patrick Tatopoulos, whose special effects were mostly cut out from the movie, said that Walter Hill wanted for movie to be much more grotesque, strange and disturbing while MGM wanted to make it to be more of a hip, sexy movie in space and they didn't wanted a full-blown makeup effects film. By the October of 1999, MGM decided to sell the movie.[8]

The movie was eventually released on January 17, 2000, almost two years later than planned.[1]

Original Cut and Deleted Scenes

The infamous theatrical trailer of the movie, featuring songs "Fly" by Sugar Ray and "Momma Told Me Not To Come" by Three Dog Night, shows many alternate takes of some scenes, extended versions of some others, parts of few deleted scenes including the one where Nick finds real Troy on the Titan moon turned into fetus and Troy begging Nick to help him, and couple shots of original ending where Karl is killed by dimensional jump.

Four different endings were filmed.

Dialogue by ship's computer Sweetie in theatrical ending where it tells Nick and Kaela that Supernova will either destroy Earth or make it and humankind better and that Kaela is pregnant was added later in post production during one of the re-editings of the movie, most probably during the one supervised by Francis Ford Coppola. Original dialogue only said that Supernova will destroy Earth in 257 years and that it's unstoppable.

When he took over the editing of the movie, Francis Ford Coppola put together the zero gravity sex scene between Angela Bassett and James Spader using out-takes of zero gravity sex scene between Robin Tunney and Peter Facinelli that happens later in the movie, and with Tunney's skin color being digitally darkened. He did this to add more to the relationship between Bassett's and Spader's characters.

Originally, main villain Karl transformed into a demon-like monster during the final part of the movie. Although much time and effort was spend on special make up effects for these scenes, MGM decided that they didn't like that because they "couldn't see the actor", so all the creature footage was cut and re-shot with Karl being only partially transformed in the final cut. [9]

Many promotional stills show lot of deleted scenes which were not included as bonus on DVD/Blu-Ray versions of the movie. These include; Kaela and Danika dressing up the Flyboy robot, Nick investigating the Titan mining colony and more areas of it, Nick finding more cocconed dead bodies of miners and examining them, Karl's original monster-like look, Karl's original death sequence... [10]

Walter Hill said in interview some years after the movie was released that his version was much darker, had a very different setup and that ending was much different. He also expressed strong dislike for the way studio ruined the movie but he said that James Spader did a great job with his role. [11]

Lou Diamond Phillips who plays Yerzy turned down the role first few times when it was offered to him but once Walter Hill was hired as director he called Phillips and send him 40 pages of his re-written script which Phillips liked and accepted the role. Problem was when the filming started Hill was forced to keep re-writing the script while studio executives were on set watching over him. Hill also heavily re-wrote original script because he wanted to distance the film from Alien (1979), movie which he produced. Phillips also said that once Francis Ford Coppola was called in to re-edit the movie he sent everyone from the cast a letter saying; "All of your work in this film is quite good. It has its problems. I'm going to recut it, hopefully in the spirit of what Walter Hill wanted." But Hill ultimately took his name from the movie. [12]

DVD and Blu-Ray versions include several deleted scenes as bonus feature. These scenes are;

  • Alternate opening where Captain Marley gives a philosophical speech about space.
  • Vanzant makes an entry to his autodiary.
  • Dr. Evers performs an autopsy on a recently died crewmember (a propulsion engineer named "Lucky" Chow Li who drank too much alcohol).
  • Captain Marley tells Vanzant to visit Dr. Evers for a medical examination, because he doesn't want to lose another crew member.
  • Captain Marley gives Vanzant some advice on how to get the respect of the crew.
  • Sweetie tells Vanzant about the computer on Titan 37, whose name is George.
  • George gives Vanzant a few background informations about Titan 37.
  • Vanzant searches the operational level for fuel.
  • Vanzant finds a lifeform in the operations housing. Later he discovers that this lifeform is the real Troy.
  • A more violent version of the fighting scene between Karl and Yerzy. Here Karl crushes Yerzys head and his eyes pop out.
  • An extended version of the scene where Vanzant enters the ship. When the hatch turns around Karl shoots, but instead of Vanzant he shoots at the already dead Troy (who died before on Titan 37). The hatch turns again and Vanzant comes out.
  • When the Observation Dome exploded Karl doesn't die but is only hurt.
  • An alternate ending where Karl reenters the ship and tries to destroy the isolation chamber with Vanzant and Evers. But before he can do this he is killed by the effects of the dimension jump. Another change is that Sweetie doesn't tell Evers that she is pregnant. Instead Sweetie tells them that the supernova will not be sufficient to extinguish the combustion created by the alien object. It will extinguish after all available three-dimensional matter has been combusted (the entire universe) and will reach earth within 257 years.


"Supernova" was panned by critics and holds a 10% rating on Rotten Tomatoes based on 61 reviews, with the consensus: "This is an insult to the Sci-fi genre with no excitement and bad FX."[13] New York Times reviewer Lawrence Van Gelder called it "light on originality and low on suspense though high on design and special effects."[14] On Metacritic, which uses an average of critics' reviews, the film holds a 19/100, indicating "overwhelming dislike".[15]

Box office

The film was a box office bomb, opening with a $5,778,639 in its opening weekend;[16] by the end of its run, the film grossed only $14,828,081 worldwide on a $90 million budget.[2]

See also


  1. ^ a b c d e Lights,camera... new director Harrison, Genevieve. The Guardian (1959-2003) [London (UK)] 16 June 2000: B8.
  2. ^ a b c "Supernova (2000)".  
  3. ^ Supernova at the Internet Movie Database
  4. ^ MEGAPHONE The Guardian (1959-2003) [London (UK)] 14 Mar 1998: C18.
  5. ^ a b c Directors Guild of America"Interview with Walter Hill Chapter 8" , § 13:40–17:45, accessed 18 Jan 2015
  6. ^
  7. ^
  8. ^
  9. ^ The Greatest Sci-fi Movies Never Made by David Hughes
  10. ^
  11. ^
  12. ^
  13. ^ Supernova at Rotten Tomatoes
  14. ^  
  15. ^ Supernova at Metacritic
  16. ^ "Weekend Box Office Results for January 14–16, 2000".  

External links

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